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10 Things About White Rapper With Blonde Dreads | Black Rapper With Blonde Hair
- Before Lil Peep or Kid Cudi were ever called “emo rappers,” the term was often applied to a handful of white, heady, underground rappers who made music that appealed to your local baristas. The most prominent of them was Slug, the MC half of the legendary Minneapolis group Atmosphere and cofounder of indie powerhouse label Rhymesayers. Across 20 years, 10 Atmosphere albums, and a handful of other releases, the rapper born Sean Daley has painted vivid depictions of heartbreak, addiction, strife, fatherhood, and, frequently, utter joy. I’m not sure whether I’d call his music “emo rap,” but the man has boundless talent for capturing a wide range of emotions. - Source: Internet
- Earlier this year, Lord Jamar told Eminem that white rappers were just guests in the house of hip-hop. Over the past four decades, though, they’ve taken up a lot of real estate. In the ’80s, the Beastie Boys brought punk energy to the genre and pumped out frat anthems that still get played today. The bookends of the ’90s featured two of the most infamous white MCs in history, albeit ones with very different legacies: Vanilla Ice, who became a pariah as quickly as he became a superstar, and Eminem, who would become the best-selling rapper ever while also being heralded for his lyrical dexterity. The 21st century has seen all shapes and sizes of white wordsmith: Southern kings like Paul Wall, indie legends like El-P, and a new wave of stars like Mac Miller, Post Malone, and Lil Dicky. - Source: Internet
- No white rapper’s spaceship has ever taken off like Eminem’s. After some early turbulence, Marshall Mathers would go on to become the best-selling rapper of all time, pushing more than 220 units worldwide. He’s topped the Billboard 200 with 10 different albums, most recently with January’s Music to Be Murdered By. Early in his career, he replaced Marilyn Manson as the scariest white guy for suburban America, and he inspired a million kids to want to grow up and be just like him. - Source: Internet
- In a September 2019 appearance on Talib Kweli’s People’s Party podcast, Los Angeles rapper Murs (who is Black) discussed the trajectory of the career of white rappers. Early on, it’s a struggle, at least relative to other aspects of being white in America; they’re often not taken seriously and likely have to outwork their nonwhite peers to prove themselves. But once they break through, there are no limits to what they can achieve. “Their rocket ship has trouble getting off the ground,” he said, “but once it gets to the stratosphere, it’s gone.” - Source: Internet
- But why Eminem as opposed to the 100-plus other white rappers referenced in this piece? Well, the shock value certainly helped, and the cosign from Dr. Dre was crucial for establishing his credibility. But more than anything, Eminem was just supremely talented at rapping. He combined Kool G Rap’s and Nas’s abilities to flip multisyllabic rhymes with the punch-line wit of Big L or early Canibus and made it wholly his own. Eventually, even his greatest talents would become something to parody and the quality of his music faded, but hip-hop has seen few MCs with his natural abilities, and none of them are white. - Source: Internet
- In Eminem’s case, he was raised in the notoriously rough side of the 8 Mile district of Detroit, a feat which he often references in his songs. Not only are his narratives often inspired by his own personal life stories, he also further acknowledges his position as a white rapper. In the 2002 track “Without Me” from The Eminem Show album, he satirically references his privilege: “Though I’m not the first king of controversy / I am the worst thing since Elvis Presley / To do black music so selfishly / And use it to get myself wealthy / Hey, there’s a concept that works.” He acknowledges that he, like Elvis Presley, have benefited greatly in America, using his status as a white citizen to serve as a familiar face for general audiences listening to traditionally black music. - Source: Internet
- An example of the potentially blurred line between object appropriation and musical appreciation can be witnessed through Korean pop groups. Especially in the Korean entertainment industry, is extremely in tune focus on what is considered popular in America and adapt that to the stars and icons under their own jurisdiction. The culture’s appreciation of Western culture is heavily commercialized to capitalized on its residents desire to be on trend with the American pop culture. Yet, the K-Pop groups’ aesthetic hair and fashion redesign to resemble typical black hair, with is slick edges, braids, cornrows, afros, and dreads, wearing their clothes baggy, donning gold chains, ski masks, and bandanas is an example of object appropriation. The intention, however, is not to embody the black culture, but rather to adopt what is being experienced as popular in Western society. - Source: Internet
- The events all span the length of one verse of his rap, as if he is trying to cram as many hip hop stereotypes as he can within the ideal industry radio song time. Furthermore, when observing his later career, the song The Wrath even further perpetuates subject appropriation through his insensitive embodiment of black culture. He changes his image by sagging his pants so his underwear was exposed, alters his hair into the blonde version of dreads, and even changes the rhythm in which he raps his lyrics to match that of the other popular black artists performing at the time. - Source: Internet
- But just because white rappers have been in the house for a long time doesn’t mean their presence hasn’t occasionally been uncomfortable. In a piece on The Ringer on Tuesday, Jeff Weiss speaks at length to Vanilla Ice about his rise and downfall and the cries of cultural appropriation he faced. Twenty-five years later, Malone and Iggy Azalea have been the subject of similar criticisms. Those accusations haven’t torpedoed either’s career—at least not Malone’s—but they underscore the reality: Rap is Black music, and if a white artist is fortunate enough to participate, they have to be respectful. That’s something Eminem understood. - Source: Internet
- All of these artists seem to mean well, and there’s certainly a time and place to praise their earnest positivity. But this exercise is not the time, nor the place. I’m obligated to mention Macklemore’s humble-bragging post-Grammys text to Kendrick, and I should also point you toward this explainer on who TF best-selling Christian rapper NF is, but mainly, I just want to thank Logic for knowing he was better off livestreaming on Twitch and writing novels than he was dropping more music. - Source: Internet
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